Clarice Assad

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    (2026) THE RAVEN

    Commissioned by Nova Linea Musica for Mak Grgić, Desirée Ruhstrat and Wendy Sutter

    Program note

    There is a moment, sometimes, between one thing and another. Between sleep and waking. Between knowing and not knowing. Between who you used to be and whoever you are about to become. A time that usually passes too fast to be examined.

    Across nearly every culture that has imagined it, the raven is the creature who watches that moment and seems to understand it. The Norse, the Celts, the alchemists of medieval Europe: all have versions in which ravens were consulted as oracles. Not because the birds were wise in a human way, but because they seemed to see through the categories that ordinary minds use to keep the world in place.

    As a human, I find these thresholds quite maddening. To stand in the gap between an old self that has begun to dissolve and a new one that has not yet arrived, not knowing what comes next, can be unsettling. My mind reaches for ground that isn’t there. But I often find myself going back to the image of the raven, and try to have a different relationship to that state.

    This work is about the idea of thresholds. It begins in stillness, passes through a kind of collapse of reality in a musical way, and at some point the instruments fall silent and only breath remains. It ends in suspension, inside the instant before whatever happens next.

    click me  ·  drag me

    modeled after a hand-folded paper raven

    The augurs’ game

    Read the sky

    The Roman augurs marked out a piece of sky and waited to see which birds crossed it. The kind of bird, the direction and the call were a sign. Here are ten unscientific questions, just for fun: what bird are you?

    drag to turn

    The augurs read

    What they saw

    At the threshold

    Entirely for fun. Nobody is only one bird.



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