Clarice Assad

(2023) ANAHATA

ANAHATA: Concerto for Classical Guitar, Violoncello and Orchestra
Commissioned by the Hartford Symphony for Boyd Meets Girl

Mov. I: The Color Green | Mov. II: Desert Roses | Mov. III: Full Circle Reel

Anahata, meaning “unhurt” or “unstricken” in Sanskrit, refers to the core heart chakra in yogic ideas—a psychic hub governing our ability for kindness, calmness, and deep human closeness. As cellist Laura Metcalf and guitarist Rupert Boyd first imagined this joint piece with me, “love” emerged as our luminous inspiration, reflecting their connected lives as artistic and romantic partners.

This concerto for cello and classical guitar stands as a musical reflection on the complex nature of love. Its three linked movements explore love’s opposites, interweaving tense passages evoking love’s wounds and melodious harmonies voicing its most precious dreams. It traces an abstract romantic arc without literal storytelling; Anahata’s central theme indirectly resonates with the duo’s creative chemistry and personal bond. It merges with echoes emerging from my memories, threads of influence from my childhood in Brazil and adolescence in France. These personal ancestral ornamental details form this fabric of sound.

Yet beyond the inspiring backstory, at its essence, Anahata translates love’s vibrant, unblocked flow into fluid music spanning from heartache to delight. Just as ancient maps of yoga chart the heart chakra as a fountain of vitality infusing existence, these notes seek to give winged voice and motion to the spectrum of loving emotions that connect us across barriers through realms of understanding rarely put into words but deeply sensed.


Instrumentation

Soloists: Classical (Acoustic) Guitar and Violoncello — written for Rupert Boyd & Laura Metcalf (“Boyd Meets Girl”)

Flute 1, Flute 2, Oboe, English Horn, Clarinet in B♭, Bass Clarinet in B♭, Bassoon 1, Bassoon 2
Horn in F, Trumpet in C
Piano, 2nd Acoustic Guitar
Violin I (section, w/ principal-desk soli), Violin II (section, w/ principal-desk soli), Viola (section, w/ principal-desk soli), Violoncello (section, w/ principal-desk soli), Double Bass

Percussion (2 players):
Percussion 1: Ocean Drum (22″), Triangle, Suspended Cymbal, Splash Cymbal, Snare Drum, Tom-toms, Whip, Tam-tam, Tubular Bells, Crystal Glasses, Bass Drum
Percussion 2: Vibraphone, Marimba, Timpani, Woodblocks, Tambourine, Sizzle Cymbal, Vibraslap, Berimbau Gourd, Tam-tam (shared), Tubular Bells (shared), Crystal Glasses (shared), Suspended Cymbal (shared), Bass Drum (shared)


Performance History
2024
Feb 9, 2024 — World Premiere of ANAHATA with Boyd Meets Girl and the Hartford Symphony
Feb 10, 2024 — ANAHATA with Boyd Meets Girl and the Hartford Symphony
Feb 11, 2024 — ANAHATA with Boyd Meets Girl and The Harford Symphony Orchestra

2025
Apr 26, 2025 — Anahata for Cello, Guitar & Orchestra | Boyd Meets Girl
Apr 26, 2025 — Anahata for Cello & Guitar | Boyd Meets Girl Duo
Apr 27, 2025 — Anahata for Cello & Guitar | Boyd Meets Girl Duo – Copy

Compiled from the site’s events calendar and may not reflect every performance.

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