(1993) Mercador de Sonhos
For Two Guitars Program Notes by the composer I wrote “Mercador de Sonhos” originally for myself to perform on piano. Later, the piece was arranged by my father Sergio Assad, …
For Two Guitars Program Notes by the composer I wrote “Mercador de Sonhos” originally for myself to perform on piano. Later, the piece was arranged by my father Sergio Assad, …
Commissioned by Byron Fogo & Robert Margo Program Notes by the composer Valsas do Rio (Waltzes of Rio) was my first commission, and the first major work for guitars, written while I …
Commissioned by the LA Guitar Quartet Program Notes In 2005, Clarice received an invitation to write an encore for a rare occasion: her father and uncle Sergio and Odair Assad …
Dedicated to the Eterna Duo Program Notes One of Assad’s earliest works, Brasileirinhas is a three movement suite for two guitars, that salutes other Brazilian classical guitar composers in approach and style. …
For Guitar Quartet. Commissioned by the Aquarelle Guitar Quartet. Program Notes Danças Nativas is a collection of three pieces written for the Aquarelle Guitar Quartet for their recording project …
About The Last Song The Last Song was originally written for solo piano and recorded on Assad’s first Adventure Music release, “HOME.” Many versions of the piece were later re-imagined …
First Call For Guitarists Series Program Notes In 2013-14, Clarice Assad launched the “Call For Guitarists Series”, a competition aimed for guitarists, in which the winner shall receive a special …
For Guitar Orchestra Commissioned by the New York City Classical Guitar Society for the NYC Guitar Orchestra Program Notes Magnetic trance is a work that combines hints of minimalism with …
For Guitar Quartet | Commissioned by the Quarteto Toccata Duration: 5:16 Program Notes Luminescence is a work dedicated to two legendary figures in Brazilian alternative music, singer-songwriters Luhli and Lucina. They …
Commissioned by the 4 Aces Guitar Quartet About this piece A dynamic work for guitar quartet, featuring extended guitar techniques, vocal, body and mouth percussion, while blending dance-like rhythmic intensity …